The Color Wheel’s Effectiveness – Rodolfo Michel

Rodolfo Michel places a major emphasis on utilizing the color wheel to blend and accent a variety of colored articles of clothing into a solitary astounding outfit. The color wheel is an extremely under-appreciated design tool that Rodolfo Michel uses in his every day work.

The foundation and secret of this wonderful tool, according to Rodolfo Michel, is combining a primary, secondary, and tertiary color into each article of clothing the model wears in the photograph. This provides a natural blend of colorization that is appealing to the innate sense of human sight. However, Rodolfo Michel suggests that no more than two primary colors be used to avoid sensory overload.

The background of the photograph is also an important consideration when choosing the colors. When an artist picks a primary color, such as red, Rodolfo Michel has always been a firm believer that it is best to employ a dull tertiary color as the background. This creates a strong contrast that focuses the audience on what the artist has on display.

Rodolfo Michel’s favorite two primary colors to use are yellow and blue. Displayed in front of a lush green background, these two colors and their accompanying adjacent color wheel companions produce an unprecedented natural aurora that exudes a warm summertime sensation that Rodolfo Michel believes can captivate an audiences’ attention.

Rodolfo Michel’s true goal of any photograph, whether it be a fashion designers’ new summer line of clothing or the sunset of a brisk autumn dawn, is to awaken an interest in his audience. Once this feeling takes a firm hold inside a person, Rodolfo Michel believes the message the artist is trying to convey has reached the client and performed on the highest level. Rodolfo Michel has many tricks that he employs on an everyday basis in his work, and none according to him, is as effective as the color wheel.